Francisco Esteve Concert Model: Labelled "Francisco" 1971 / Another one built in 1973

 

At first I was able to buy the 1973 built guitar here 

beyond. Impressed by its' quality I was encouraged to 

buy another one from the same qualities, probably 

even better sounding and in a near mint condition. 

I've kept the 1973 in original condition but I've shaved 

the neck of the 1971example as it felt too chunky. 

Manuel  Adalid Sr. built these guitars for Esteve and 

here beyond you will find a part of the correspondence 

with someone in charge of contact with clients in 

which he states it to be comparable with the present 

Concert models, priced at 6.000 Euro's.

 A closer look can be taken here by clicking on the 

picture. A beautiful and straight spruce soundboard.

Scale of this a guitar is 650 mm while the width 

of the topnut is 53 mm. Body frequency: Around

a low G which means 98 Herz.

Here the 12 hole bridge can be studied. Advantages are 

that putting on new strings is easier but the better angle

over the bridgebone is of course the goal for this move.

And the rather intriguing rosette though the 

light play in this picture isn't that great....

The "real color" is on the right side!

 

The soundboard as well as the back are in a near mint

condition. Unbelievable for such an old guitar. Probably

it was part of a big collection.

The double binding on the sides is an extra of course.

As the varnish is like it just came out of the window 

in a shop, reflections are almost inevitable, though 

the real photographer can die this much better. Alberto 

Martinez makes pictures of guitars for his magazine 

"Orfeo".  He was a photographer for BMW and that 

explains a lot.

In fact a bit difficult to attribute it to a luthier but

with some more effort we succeeded. Francisco

Adalid Sr. built this guitar. Later he worked 

together with his son for a while. The 1973 guitar

is an example of that. The smaller round label on

the  left is already pointing towards the Valencian

luthiers. This label probably has been printed on

the instructions of the Spanish Guitar Centre in

the UK. It was not uncommon to provide  bigger

shops and companies with guitars that had no 

label at all. Even between the different luthiers

this was common practice.

OK tuners but not that elaborate...

  

A simple headform as well but I can

appreciate that. No damages on both sides.

As can be expected, no fretwear as well. Recently

I discovered a label used by Manuel Adalid with 

the name "Casa Garrijo - Madrid" on it. I think

Adalid must have the Casa Garrido in mind (??)

He most likely made guitars for that shop as well.

Francisco labelled guitar 1973

Definately a Francisco Esteve Concert guitar that has

been built by Manuel Adalid Sr. and Jr. but with a 

rather disturbing label as this guitar was made for the 

Spanish Guitar Centre in Newcastle upon Tyne in 

Great Britain and thus bears their label. Superior 

craftsmanship as can be admired in the shaping of 

the rosette but also inner woodwork. SOLD

The round label looks a lot like the Tatay labels of that 

time. Probably no coincidence as Esteve worked for the 

Tatay company. Built in 1973 it is their 75th guitar

that year. Most likely numner 75 in this range.

At the bottom right the same rounded label can be seen

that is presented in this guitar. As was common these com-

panies often worked for Music shops and even other makers.

A beautiful back (and sides) this model is provided with.

It could even be Brasilian rosewood but we're not sure yet.

The upper picture has been taken after intensive French

polishing work that was needed to put it back in its'

old glory again. And thereby: It is a keeper.

A nice executed Rozette completes this furthermore

flawlessly built instrument. Inner woodwork is simply

of top quality. The golden Spanish Guitar Centre

label is sticked at the bottom. The soundboard is

strengthened with a traditional fan bracing and the

sound is as can be expected from a Valencian maker:

"Woody"  and with a kind of springyness and lots

of volume and tone colour.

The bridge has been provided with a 12 hole construction.

More easily to put on new strings but moreover, a better

angle over the bridge bone and as a result a better tone.

Hardly any traces of play wear though there is a slight

craquelé visible at close inspection. In fact normal 

regarding the age of this guitar.

Not any damges to the head that often occur when

placed against a wall.

The back and heel from another angle.

The tuners that work well.

The frets that are in a great condition and placed

in an ebony fingerboard.

The proof that this guitar was imported by the Spanish guitar 

center in England and for that reason got another label.

I did some investigations at first as I was blown away by its' 

sound qualities and already suspected it to be built by an

experienced luthier. I'll include the result of my E-mail

contact with the Francisco Esteve company here beyond.

You can click on it to enlarge this picture but the translation

has been placed here beyond for your convenience.

Good afternoon Noud,

 

I was quite certain but I wanted to verify with Manuel Adalid about this instrument.

“This guitar is how you can see a concert instrument, the best thing that I was doing 

in Esteve's workshop at the time. It's a concert guitar because of the constructive 

details that you correctly pointed out. These were made for the English house, the

Spanish Guitar Center”. We believe that all of it is finished in shellac, top and body.

 

It is possible that the overhead is from Palosanto de Río as well. It's a guitar on which

more than one luthier intervened and in which D. Manuel Adalid father (and the eldest)

did part of the work on it. It is artisan and entirely by hand. Today it would resemble a

60th Anniversary model, the most elaborate thing we do of concert models but with a

soundboard with a classic traditional system. 

 

The recommended retail price of the model new 60th Anniversary is about 6000 euros 

depending on the place due to taxes and rates of each country. You have a wonderful 

instrument and we hope you enjoy it. It seems to be in good condition.

 

Regarding the Elec model, it is a model that we continue to manufacture today and is 

the highest of range of electro-acoustic guitars with cut-away.

 

I hope it has helped you

 

Take good care of yourself and kind regards

 

Sergio Camargo