This special "Hauser / Torres" model Alastair McNeill
made multiple times as he was already in an early stage
interested in what the Spanish luthiers did regarding
guitar building. Provided with the genuine Torres
head, a timeless design in itself, this guitar has been
provided with a fan bracing of course. Moreover
however it is well known that Hauser stayed close
to the original Torres designs. Segovia played Hauser
guitars for a long time after he proposed Hermann
Hauser I to follow the Spanish way of building
guitars. Those guitars remain iconic.
Nice attention to details like the rosette pictured here. This
guitar has been French polished which is a sign of utmost
care on an instrument like this. Do not expect hughe
volumes coming out of this guitar but a perfect balance
and beautiful rounded higher notes supported by a great
bass response as well. Funnily enough number 203 in
the Alastair McNeill serie is offered for sale on Reverb.
That is also a Hauser model. Same as this guitar equipped
with a 7 fan soundboard bracing but that is not different
from what Antonio de Torres did. Remarkable however
are the extra braces on the back in the lower bout that
are forming a cross and that's are pointing towards
the Hauser method of building.
Also the inlay work is there on both back and front.
Quite typical are the braces that make a cross in the
lower bout. That makes me think this guitar to be a
Hauser copy. The brace that runs through this cross
is scallopped in this guitar and more tiny executed
than the other transverse bars on the back.
The knobs are clinched to their axes and though
not executed in "gold" these tuners work very well.
But being apparently Lansdorfer / Reischl tuners it
is another confirmation of the guitar being ment as
a Hauser model as that dynasty of builders almost
exclusively used these Lansdorfer tuners.
A special word can be said about the tuners used as they
are genuine Lansdorfer / Reischl tuners, among the worlds
best and they were also used by Jose Romanillos, Robert Ruck
and Edmund Blochinger among others. They can be had in all
kinds of varieties, plastic or pearloid buttons but it all starts
at about 350 Euro a pair!
The back has been provided with a straight grained piece
of indian rosewood which isn't a bad thing so to say.
Moreover, these straight figured pieces of wood are less
prone to cracks in the future. Same thing counts for the
sides as well.
The guitar makes a somewhat smaller impression and
regarding dimensions that is indeed the case. Moreover
this guitar has been provided with a 640 mm scale.
The purfling around the edges can be studied here
by clicking on this picture.
The Torres shaped head. Simplicity at its' utmost.
The topnut measures 50 mm in width.
The signed label by mr. McNeill living in Wiltshire.
The outer heel has been decorated with taste as well.
This picture has been added to be able to study the sides.
As can be seen: No fretwear what guarantees years
of playing pleasure as this guitar has a beautiful
voice apart from a perfect balance and good volume.
And another plus is its' playability.
Even the rosette on the Alastair McNeill guitar is close
to the original where in the inner and outer ring inlays
seem to "move" in the opposite way, Take a look here
beyond where an original 1960 Hauser is presented.