Presented heter is the Asturias John Mills model
Nr. 3456. Similar to the MJ 15 that later has been
renamed to model "Custom". It costed about a 1000
to 1500 Dutch guilders back in 1980 The addition
'made by Masaru Matano" makes it in fact all more
interesting. He was a very gifted luthier and I must
say: Everything you are looking for in a classical
guitar simply is there: Lots' of volume, clear tone,
good separation, strong and beautiful bass response
and apart from that all it colors nicely once striked
at different spots on the strings. Scale: 655 mm.
As the headform already attests, this is a genuine
Antonio de Torres model made by Mr. Mantano.
A good thing to see on this guitar are the Gotoh tuners
invariably used on these high end guitars. They work
like butter and in fact are technically spoken better
than their Spanish equivalents from Fustero.
Though some slight nail damage, no fret wear so this
guitar can serve a new owner for years to go.
At the end of the collaboration most likely as this label most
of the time was used with a production number stamped on it.
Masaru Matano never did that but those later 3456 models
might be good as well regarding sound as standards were
high at the Asturias workshops. Masaru Matano left the
Asturias workforce around 1980. This way this guitar
can be dated a bit.
An even more close look at the label.
The body still made with a spruce soundboard and that
is responsible for its' nice clear voice but still with the
warmth you want from a classical guitar. The sound-
board has been provided with a 7 fan bracing according
to most Antonio de Torres guitars.
For those who want to study the rosette even more closely.
The string tie block has been edged with a harder material.
In fact good to prevent any damage to the wood itself. A
slight damage near the bridge just where the first string has
been tied. A typical damage that occurs when the string
once under the proper tension suddenly looses.
Knobs that can be switched if wanted. The same tuners
as on a Hirade / Takamine guitar and I also saw some
Asturias guitar with a bit of a Takamine like headstock.
It wouldn't surprise me that at a certain period this brand
was involved for a while.










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